Works Cited
Attali,
J. Noise: The Political Economy of Music. 16 Vol. Manchester University
Press ND, 1985. Print.
Azzara,
C. D. "An Aural Approach to Improvisation." Music Educators
Journal 86.3 (1999): 21. Print.
Barbosa,
Á. "Displaced Soundscapes: A Survey of Network Systems for Music and Sonic
Art Creation." Leonardo Music Journal (2003): 53-9. Print.
Berger,
A. A. Making Sense of Media. Blackwell Pub., 2005. Print.
Bischoff,
John, and Chris Brown. "Indigenous to the Net - Early Network Music Bands
in the San Francisco Area." Crossfade (10 June 2006): 13/12/2011.
Web.
Blacking,
J. How Musical is Man?. Univ of Washington Pr, 1973. Print.
Brennan,
P. A., and E. B. Keverne. "Something in the Air? New Insights into
Mammalian Pheromones." Current Biology 14.2 (2004): R81-9. Print.
Brown,
C., and J. Bischoff. "Indigenous to the Net: early network music bands in
the San Francisco Bay area." 2002.Web. <http://crossfade.walkerart.org/brownbischoff/IndigenoustotheNetPrint.html>.
Bryan-Kinns,
N. "Annotating Distributed Scores for Mutual Engagement in Daisyphone and
Beyond." Leonardo Music Journal (2011a): 51-5. Print.
Bryan-Kinns,
Nick. "DaisyPhone Home Page." 2009b.Web. <http://gouda.dcs.qmul.ac.uk/>.
Bullock,
M. T. "Self-Idiomatic Music: An Introduction." Leonardo 43.2
(2010): 141-4. Print.
Castells,
M. The Internet Galaxy: Reflections on the Internet, Business, and Society.
Taylor & Francis, 2003. Print.
Chase,
M. P., and M. Portney-Chase. Improvisation: Music from the Inside Out.
Creative Arts Book Co., 1988. Print.
Chion,
M. "Guide to Sound Objects." Unpublished translation provided by
the translators John Dack and Christine North.Originally published in French as
Guide des Objets Sonores, Éditions Buchet/Chastel (1983)Print.
Corbett,
J. "Ephemera Underscored: Writing Around Free Improvisation." Jazz
among the discourses (1995): 217-42. Print.
"The
Cutlrure Hub, About." 2010.Web. <http://www.culturehub.org/>.
"Dancecult.net."Web.
<http://www.dancecult.net/>.
de
Quay, Y., S. Skogstad, and A. Jensenius. "Dance Jockey: Performing
Electronic Music by Dancing." Leonardo Music Journal (2011): 11-2.
Print.
Deleuze,
Gilles, 1925-1995. A Thousand Plateaus Capitalism and Schizophrenia.
Minneapolis : University of Minnesota Press, 1987. Print.
Downes,
D. M. Interactive Realism: The Poetics of Cyberspace. McGill Queens Univ
Pr, 2005. Print.
Freeman,
J. "Bringing Instrumental Musicians into Interactive Music Systems through
Notation." Leonardo Music Journal (2011): 15-6. Print.
Green,
A. R., et al. "The Pharmacology and Clinical Pharmacology of 3,
4-Methylenedioxymethamphetamine (MDMA,“ecstasy”)." Pharmacological
reviews 55.3 (2003): 463-508. Print.
Hamilton,
R., J. Smith, and G. Wang. "Social Composition: Musical Data Systems for
Expressive Mobile Music." Leonardo Music Journal (2011): 57-64.
Print.
Higgins,
L., P. S. Campbell, and G. McPherson. Free to be Musical: Group
Improvisation in Music. R&L Education, 2010a. Print.
---.
Free to be Musical: Group Improvisation in Music. R&L Education,
2010b. Print.
Feld, Steven. "Pygmy POP. A Genealogy of Schizophonic Mimesis." Yearbook for Traditional Music (1996): 1-35. Print.
Garnett, Guy E. "The Aesthetics of Interactive Computer Music." Comuter Music Journal (2006): 21-33. PrintImpett, J. "Let's Dance Architecture: Improvisation, Technology and Form." Leonardo Music Journal (2010): 85-8. Print.
Garnett, Guy E. "The Aesthetics of Interactive Computer Music." Comuter Music Journal (2006): 21-33. PrintImpett, J. "Let's Dance Architecture: Improvisation, Technology and Form." Leonardo Music Journal (2010): 85-8. Print.
Jackson,
P. Inside Clubbing: Sensual Experiments in the Art of being Human. Berg
Publishers, 2004. Print.
King,
G. "The World Wide Web and Music Activity: Metaphor Or Analogy?" Cultural
Capital and Cultural Memory among Mexican Migrants in the United States: The
Performance of Corridos and Norteño Music among Migrants Martha Chew: 464.
Print.
Kraidy,
M. M. "4 Globalizing Media and Communication Studies." De-westernizing
communication research: altering questions and changing frameworks 25
(2011): 50. Print.
Lévy,
P. Cyberculture. 4 Vol. Univ Of Minnesota Press, 2001. Print.
Magaudda,
P. "Disco, House and Techno: Rethinking the Local and the Global in
Italian Electronic Music." Cultural Capital and Cultural Memory among
Mexican Migrants in the United States: The Performance of Corridos and Norteño
Music among Migrants Martha Chew: 535. Print.
Matos,
Michaelangelo. "How the Internet transformed The American Rave
Scene." NPR.org. 11 July, 2011 2011.Web. <http://www.npr.org/blogs/therecord/2011/07/17/137680680/how-the-internet-transformed-the-american-rave-scene>.
Miller,
P. D. "In through the Out Door." Sound Unbound (2008)Print.
Neill,
Ben. "Inevitable Improvisations." http://vagueterrain.net. Oct 11, 2009 2009.Web. <http://vagueterrain.net/journal15/ben-neill/01>.
Oosterhuis, Kas. Hyperbodies. Birkhäuser Basel, 2003. Print
Oosterhuis, Kas. Hyperbodies. Birkhäuser Basel, 2003. Print
Poster,
M. "The Second Media Age." Cambridge (UK) (1995)Print.
Reynolds,
Simon. Energy Flash. soft skull press, 2012. Print.
Rheingold,
H. Virtual Community: Homesteading on the Electronic Frontier. Mit
Press, 1993. Print.
Savage,
Steve, 1948-. Bytes and Backbeats : Repurposing Music in the Digital Age.
Ann Arbor, Mich. : University of Michigan Press, 2011. Print.
Seago,
A. "The “Kraftwerk-Effekt”: Transatlantic Circulation, Global Networks and
Contemporary Pop Music." Atlantic Studies 1.1 (2004): 85-106.
Print.
Soules,
M. "Improvising Character: Jazz, the Actor, and Protocols of
Improvisation." The other side of nowhere: Jazz, improvisation, and
communities in dialogue: 268-97. Print.
Tanaka,
A. "Interaction, Experience and the Future of Music." Consuming
Music Together (2006): 267-88. Print.
Vallis,
O., and A. Kapur. "Community-Based Design: The Democratization of Musical
Interface Construction." Leonardo music journal (2011): 29-34.
Print.
Zmölnig,
I., and G. Eckel. "Live Coding: An Overview". Proceedings of the
International Computer Music Conference. 2007. Print.